“How do you make a house a home? By bringing out its soul. By designing it, building it, furnishing it and maintaining it in such a way that it offers emotional security and comfort and supports the love and enjoyment of those who live in it” Thomas Moore We have been decorating our homes, for longer that we might realize, but initially not without ulterior motives. Parallel with so many early traditions, the creation of beautiful interiors had less to do with simple embellishment, than the assurance of a place in the Afterlife. The Egyptians were the first to seek this assurance by adorning their rooms, as well as their departed loved ones with symbolic objects, inspired from nature, and fashioned from gold and colorful precious stones such as turquoise and lapis lazuli in a manner that would rarely be found today. In contrast, the Romans, during their years of Empire, were compelled to display their wealth and status by way of grand living and perpetual comfort. They created homes with seasonal rooms to withstand the heat of summer and the cool of winter, where they applied mosaic floors, painted walls and an abundance of delicately carved stone work. They introduced velvet drapery, soft furnishings, and their banquets were afforded spacious halls to accommodate long nights of food and indulgence. With the fall of the great
Empires, an opposing mood
swept through Europe, and the
new constraints of Christianity
resulted in an absence of free
expression as well as the banning
of craftsmanship. Under the perpetual
threat of invasion, homes
became bleak and fortress-like,
with dark paneled interiors and
austere furnishings, but the pendulum
would inevitably swing in
the opposite direction with the
birth of the Italian Renaissance
period in the sixteenth century.
This was a time of nprecedented It can be said however, that it was not until the 18th Century that the accumulation of all of the various facets of interior embellishment were formalized in England by the Adam brothers, Robert and James, who set about creating a greater cohesion between the elements of architecture, construction, interior details, furniture design, textiles and color, and calling it for the first time, Interior Design. But this formalization remained a privilege of the wealthy until the industrial revolution, when social dynamics shifted, and only as recently as the post war period, when the mass production of furniture began in earnest. It was then that the idea of “Interior Decoration” became accessible to all. The Business of Trend We now have at our disposal
an overwhelming amount of
design information, underpinning
what has become a global multi The Confidence to call it our own We may want our own home
to seem like a guest within a
beautiful setting or above a commanding
view. We may want the
visual pleasure of art and meaningful
objects to take center stage
or to simply surround ourselves
with inherited and gathered We may need high efficiency and function, or the hospitable drama within which to regularly entertain. On the other hand, we may simply prefer to cocoon ourselves from today’s fast and uncertain world with textures and colors that will appease us. It can be argued that each of us is innately influenced by our own personal reference to color, texture, pattern and form. We may have memories of the colors of our formative years, our home land, our culture or even our Grandmother’s sofa, which may comfort us, or cause us to run to express our own personality. The greatest challenge is in
narrowing the myriad of options
to one seamless, beautiful idea
that we can truly call “Our Own”. No matter what decisions we make we can thank the Egyptians. We have never been so well positioned to express our own individuality within the walls of the only place that we can truly call our own, and we can now take advantage of the choices that we have, at any budget level. Be sure to enjoy the process! |