“There were lots of huge trucks with tons and tons of cement going in and out
of the field.” That’s how one local resident remembers a time in her childhood
when the now-famous “Shift” sculpture was being built in her neighbour’s
back yard. It was 1971. As the concrete was poured deep into the ground, she
and her playmates speculated about what it was supposed to be.
Another local talks about accidentally coming upon Shift when he was
ten. He and his other 10-year-old buddies found it in a field they used as their
playground. They spent hours running along the top and jumping off it into
the snow that had drifted into big mounds against the walls. A third resident
recalls her childish delight at finding this outdoor science project - animal
tracks and droppings all around the base and a dead snake curled over the
ledge.
“Shift” is now privately owned by Great Gulf Homes. And Richard Serra’s
career has progressed from his early work creating art out of cement in a field.
He is now considered to be one of the greatest artists of the 21st century
(Robert Hughes, 2005), hanging around with Frank O. Gehry and building
installations in New York, San Francisco, Paris, and Spain. Richard Serra,
known in the art world as the “Man of Steel,” has moved on.
But Serra’s artistic roots are here, in the farmland just south of King City.
He describes Shift as the seminal piece in his creative thinking. He tells about
“borrowing” the field from the then-landowner, Roger Davidson, an avid art
collector, in exchange for a couple of small sculptures. Serra and his girlfriend
Jane Jonas walked the dog-leg valley between two hills in opposite directions
until they could barely see one another. They set the scene for the “first piece
of art which used the measure of one’s body walking, to deal with the
perception of the rise and fall of a landscape.” (R. Serra, 1970) Seen from
above, the piece snuggles itself into the landscape, its sharp lines contrasting
with the environment around it. Each season gives it a new perspective: snowcovered,
green-branched, brown-leafed.
Serra later changed his medium from cement to steel, a raw material he
was very familiar with because he had spent several years working at steel
mills to pay his way through art school. He became obsessed with how to
create a site-specific landscape sculpture that would physically involve the
observer. He was the first sculptor to shun the pedestal in favour of placing
his work directly in touch with the land. His works such as “The Matter of
Time” in the Guggenheim Museum, Bilbao Spain,
“Charlie Brown” in San Francisco, and “Tilted
Spheres” at Pearson Terminal One all mirror their
surroundings and stimulate an emotional response from
their audience.
I visited “Tilted Spheres” a while ago when passing
through the Toronto International Airport. It is a powerful
series of circular steel walls that rise and curve
towards one another. Stepping inside, one finds an overwhelming
sense of calm, a refuge from the hustle and
bustle of airport life. At the same time, our eye is drawn
upward, as if at any moment we might take off and soar
into space.
Perhaps some day residents of King Township will
be able to experience the thrill that Richard Serra’s
world-famous art creates. And it will be right in our
own back yard. |


ASK Board
October 1, 2009 to
September 30, 2011
Past President: Lynda Rogers
President: Zohreh Zandvakili
Vice President: Geoff Simpson
Secretary: Sue Iaboni
Treasurer: Gordon Craig
Festival Co-Chairs: Judy Craig, Cathy Webster
Student Directors: Rachel Miller,
Ian Tushingham
Directors:
Hugh Barnett
Sharon Bentley
Arne Bowers
Marianne Broome
Maria Ferrante
Greg Locke
Elaine Robertson
Denny Starritt
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